Sunday, June 29, 2008

indru


கனவுகள்
உதிர்ந்து கிடக்கும்
சாலையில்
உன் காலடி
புதையுறும்
பூக்களின்
இதழ் நிறங்கள்
உன் பாத சிவப்பை
ஒற்றாவா?
காற்றில்
மிதந்து திரியும்
மகரந்தம்
உன்
சுவாச நறுமணம்
பற்றாதா?
இழக்க பெறாமல்
கைமிஞ்சும்
யாசகனின்
காசுகள் போல்
இறுகி கிடக்கும்
அந்தரத்துக்குள்
இன்று
உடையும்
மகரக்கட்டு


உணர்வுகள் பிறழ்ந்து
விழிகளும் வெறிக்கும்
இவன்முன்
இருள்திரை விலக்கா
மன உறவுகள்
சொல்லிற் சிதையும்
நட்புகள்
அந்தகாரம் சூழும்
மினிச்சுடர் அற்ற அந்த பார்வையின்
நாசியோடும் இழைக்காற்றை
உறிஞ்சி விட்டாலும்
தெரியாத இவனுக்கு
முன்பின் தடம் புரளும்
கவிதை
இதுவென்று மட்டும்
தெரிந்து விடுமா

Friday, February 15, 2008

As You Are!


Hello!

The steely resolve wrapped in those thin lips
The unhurting courage hid under the smile
Romanticism perfected through searching eyes
Search for truth ridden in nectory voice....

You may be unsung now.
You are born to win;
bred to conquire

Be as you are;
Thats how you could be.

Angum Ingum Paadhai Undu (You are on Crossroads)


Dear Love,


How are things there?

Eyes and ears have taken over from other senses;

Seeing and hearing you precedes
over other ways of realizing you;

Mails and chats are losing importance;
they carry less of you.

Not able to foresee the future -
when sense and touch will overtake eyes and ears

Then....
A picture painted with all senses
cherished through years,
over and over
in days and nights
in conscience and dreams
in joy and sorrow
in life and death

will be there for us.

Tuesday, July 3, 2007

Youth


Indulge
As vibrations of youth
drip fresh from their birth...

Music is vibration

Splash in colors and
paint life with your hands

Identify your colors
From the spectrum
Colors are revelations of vibration
Let the life reverbrate...
..............
Untaut strings and
mature tremblings are
possible;

Snap for ever,
before your strings unwind!

Monday, May 14, 2007


Paruthi Veeran


The film did not have a 'theme extrordinaire'. The canvas is not new. End is gory. Songs, though with regional fervour, are long and at times, poke at you.

But what is not missed in Ameer's third film, is the realism. Karthik, the debutant hero, has emoted well and has a face which has an ability to show a repertoire of classic expressions. Dubbing often reminds Sivakumar's famous mellifluous voice. Yuvan Shankar Raja's background score is more apt than in the songs, but the songs nevertheless are fine melodies and folk music in Tamil film music, at its best. The movie has a capricious blend of folklore, folk music and folk dance, though at times, is bit lengthy. Very realistic performances and apt casting helps the film to thrive on these elements.

Tone of the cinematography is bit harsh throughout but angles and movements are jerkless and conveys the required mood, partly due to editing. As for the cast, Saravanan, as the paternal uncle of the Hero, steals the heart. Ponvannan's stereotypic remarks could have been remodelled. All supportive staff are good in their performances.

And Priyamani....
A modern belle, only captioned sofar in rustic urban roles, stuns one by her performance. Her looks, dresses, walk, head tilted stare and that thick, not-so-feminine voice - all add to the character's worthiness. Though well shaped by Ameer, Priyamani steals the show throughout the movie. Her guts in be it, receiving blows from her father and continuing to eat with tears flowing eyes, countering paruththiveeran or at the climax, where she falls prey to a bunch of thugs, and the portrayal is commendable.

Then, why should a film with a anti-hero subject should end with a penalizing climax? That too why should an unquenchable here be punished with his lady being humiliated? Why is this slightly perverted justificastion? (which reminds Virumaandi and few other cliche Tamil films)
Apart from this stigma, I feel this is one film which made the characters lively with good technical contributions. Ameer has given a movie which will linger in our minds for long.

Saturday, April 7, 2007

My new model on nationwide policy implementation

Model on Nationwide Policy Implementation

(I.B. Saravanan)

A project which needs to be implemented throughout a country should either be for a public cause like awareness on polio or AIDS or national cause (like government saving on import or increasing income from exports etc. which would later translate to public cause). Implementing such a project requires Vision of Leaders, Political Will of Stakeholders, Stability of Governments, Public Flexibility and Adaptation Mechanisms available in the country.

Vision of Leaders

When the leaders in a country are qualified, ambitious and are visionaries, then those countries prosper at a faster pace. It is this vision of a leader, who leads a people and organization of people which benefits the nation. Unambiguity, clear defined path and self corrective measures are few traits of visionaries who lead their countries towards success in economic and commercial front.

Stability of Governments

Stability of successive governments is vital for any projects’ continuance and hence, its success. The forms of governments or methods of election to power matter less in front of a basic realization on the laid down vision for the country. Frequent upheavals in the political arena cause turbulence and unrest among the stakeholders, resulting in either discontinuity of the programme or decreased moral support/funding for the same.
Political Will of Stakeholders

The stakeholders in any nationwide project’s successful implementation are the government, the funding institutions, the public, NGOs and private participators. Success largely depends on the well oiled progress between all these stakeholders towards a common goal. Even a small mismatch between them on compatibility, in their interests, would seriously hamper final achievement by delaying the process and/or the realization targets.

Public Flexibility

When consensus from the policy makers has reached the public, the major stakeholder, an evaluation process begins. It could be any form of a social organization like a community, a town or a cooperative. When the policy directives are such that it conveys the evaluator that his/her social organization will benefit more on measurable counts in comparison with existing situation, the public accepts the directives and involves themselves in the project. It is observed that if the benefit on the longer run is greater, then small hardships are accepted at the current instance. Acceptance notwithstanding, the flexibility shown by the public after evaluation may vary with different social setups, with respect to their existing comfort levels, social values and ethos and culture.

Existence of Adaptation Mechanism

Success of the implementation greatly rests on proper identification of areas to invest which is invariably related to the existing knowledge and adaptation mechanisms in the country. It is much easier to implement a course correction for a country which is traditionally cropping corn with lesser benefit to sugarcane cultivation with higher benefits, rather than to change it to an orientation with ITES industry.
I.B. Saravanan, Consulting Editor,
Icfai Research Centre, Chennai

Pandit Venkatesh Kumar and Raag Hameer